5 minute play scripts for 2 actors
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Actors of all identities can benefit from exploring the script’s feelings of discomfort and connection. Character-driven monologues provide a subversive look at womanhood and its relationship to gender norms, power, trauma, and desire. “The Vagina Monologues”: This feminist classic is as hilarious as it is provocative.Are there any acting choices they make that might inform your own? Try reading through the script on its own, and then compare your interpretation to the film starring Julia Stiles, Heath Ledger, and Joseph Gordon-Levitt. Whether you want to portray a character as they appear in the film or how you read them on the page, this script gives you space to explore. As a modernized adaptation of Shakespeare’s “The Taming of the Shrew,” the script invites you to play in the liminal space between the adaptation and its source. “10 Things I Hate About You”: This cult classic allows actors to lean into their best high school melodrama and bring their comedy chops.Whether you play deceitful Iago, wronged Desdemona, or the titular Othello, the script provides much fodder for actors who want to practice bringing subtext to the surface. This displaced feeling sets the stage for a play in which nothing is as it seems friends are secretly enemies, devout lovers are believed to be unfaithful, and a moral man becomes a murderer. Desdemona is not “in her chamber or house” (Act 1, Scene 1, Line 139) Othello is not at his “lodging to be found” by the Senate the Turkish fleet occupies an unknown position in the Mediterranean Sea and one “Marcus Luccicos” (not mentioned elsewhere in the play, but earnestly sought by the Duke) is “not…in town” (Act 1, Scene 3, Lines 44–45). “Othello”: This Shakespeare tragedy opens troubled by literal failures to “place” various people and things.Try delivering the clever dialogue with as much deadpan as possible, and then take it on again with a different performance style to improve your craft using multiple interpretations of a single script. Spend some time really exploring its character’s conflicts. “Juno”: While Diablo Cody’s script is highly comical, it also touches on poignant topics including first loves, unplanned pregnancy, and the power of family.While Cranston’s performance feels inimitable, you can use his emotional range and depth as a goal post for your practice sessions. It’s a lot-meaning that there’s a lot you can do with it. The script is captivating, immersive, and dark, with multiple nuanced characters. In just over 58 pages, we see Walter White (Bryan Cranston) thanklessly teach high school chemistry, learn he has terminal lung cancer, and be given a new lease on life as a meth cook. “Breaking Bad”: The pilot episode of Vince Gilligan’s iconic drug drama covers the full spectrum of human emotion.Use this script to explore the space between the spiritual and the secular, the innocuous and the injurious.
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A critical text in the Black theater movement, this drama invites actors to explode into life in an emotionally impactful way. The core of the play depicts the intricacies of the relationship between religion, love for family, and knowledge of oneself, making it ripe for actor analysis and interpretation.
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